Instrument Effects

• Ultimate wah pedal for vintage tones
• Designed for classic sound and performance
• Perfect for achieving iconic wah effect

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Long revered for its sweet singing tone and violin-like sustain, the classic three-knob Big Muff Pi has helped define the sound of rock guitar for over 40 years. Now, we've added some extras for those who crave more sound shaping control. Introducing the Deluxe Big Muff Pi. It delivers all the classic sounds of the original NYC Big Muff Pi, plus more. Learn More

• Edge, Punch, Drive, Attack and Level controls
• True Bypass
• Power Supply: External AC adapter AC509(sold separately)

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• Based on a classic distortion circuit famous for its nasty sound
• Separate Dry and Wet level controls
• Select between Silicon and LED clipping diodes

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This 50 year old is just hitting its stride. Over the top fuzz with super hot octave effect. A mint example will cost you plenty, but it still will not sound half as good as this.

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• 50Hz to 10kHz frequency range specifically designed for bass
• Full range response, even for five- and six-string basses
• Can be used as a "boost" or "cut" pedal using the level control knob
• Great for eletric-acoustic bass applications
• AC adaptor or 9V battery operation
• BOSS five-year warranty

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SENTRY NOISE GATE - Multiband Noise-Gating Pedal with Hard-Gate Mode and Built-In TonePrints*

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• Special edition Waza Craft pedal delivers the ultimate BOSS tone experience
• True reproduction of the vintage DM-2 Delay sound
• Premium all-analog circuit with BBD (bucket brigade) delay line
• Standard mode for authentic DM-2 tone with 20-300 ms delay time
• Custom mode provides warm-yet-clear delay sound and maximum 800 ms delay time
• Expression pedal input for foot control of delay time
• Two output jacks allow separate output of delay and direct sounds
• BOSS five-year warranty

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• Ultimate noise reduction solution
• Preserves your tone
• Advanced tracking technology
• Ideal for high-gain setups

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The Good Vibes recaptures the iconic chorus/vibrato effect of the 1960s in an updated pedal with features designed to meet the needs of the modern player. Like the original Uni-Vibe®, it uses photocells to create chorus and vibrato with a warm, undulating, liquid groove for a sound and response that's true to the classic design. Boosted power rails provide 21st century definition and headroom, and an expression pedal input puts free-form control for speed or intensity at your feet. True bypass, too. Very groovy! Learn More

Ibanez is proud to announce the new MINI pedal Family, including the tremolo MINI. Made in Japan, the TRMINI features three-knob controls; Wave, Speed and Depth. Also it features level trim pot which enable us to boost the effected sound. A true bypass switch provides the shortest, most direct signal path as well as the cleanest tone. The 100% analog circuitry offers amazingly natural tremolo tones. The TRMINI is a classic warm and full-sounding tremolo pedal that won’t be a space hog on your pedalboard!　 Learn More

• Combines La Machine Fuzz with old school Sub-Octave signal
• Separate volume levels for Fuzz and Sub-Octave signals
• Toggle between Series/Parallel modes
• Octave switch kicks Fuzz signal into Octave Up mode
• The Sub Machine Fuzz is powered by one 9-volt battery (remove bottom plate to install), a 9-volt AC adapter such as the Dunlop ECB003/ECB003EU, or the DC Brick™ and Iso-Brick™ power supplies.

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• Four different parameters for precise fine-tuning
• EVH switch engages “Unchained” flanger tone
• Custom EVH paint job
• The EVH Flanger is powered by two 9 volt batteries (accessed through the bottom of the pedal), an 18 volt AC adapter such as the Dunlop ECB004/ECB004EU, or a DC Brick™ power supply.

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The Two Stroke Boost EQ is our take on the essential ‘clean boost’ pedal, but with even more versatility. Combining an active dual-parametric EQ and up to 12dB of output boost, the Two Stroke is the perfect tool for fine-tuning your sound or pushing your amp’s front end with unsurpassed control. Subtle Two Stroke tweaks can add an extra dimension to solos, whilst more aggressive use of the pedal’s EQ can sculpt entirely new sounds. Use the Two Stroke to add an extra channel to your amplifier or re-voice your guitar’s pickups completely. Crank the high mids to jump through the mix, cut the low end to remove the woolliness that normally occurs with traditional boost pedals, or leave the EQ flat to hear more of what you already like.

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