Instrument Effects

• Tuning Range: A0(27.50Hz) - C8(4186Hz)
• Calibration: 435 - 445 Hz
• Drop tune: Flat 4 semitones
• Power Supply: External DC 9 Volt AC Adapter

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• Classic envelope filter sounds.
• Separate Dry and Effect signal controls.
• Organic analog tone.

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The circa-1980 Electro-Harmonix Attack Decay is a sought after prize among vintage pedal aficionados. It was originally known as the Tape Reverse Simulator, producing volume and reverse swells, backward tape sounds, short staccato notes and bowed instrument effects. The new Attack Decay reinterprets the classic, stepping up the cool-factor with contemporary features & enhanced functionality. You can produce a ‘Mono’ volume envelope like the original, but now when engaged in ‘Poly’ mode, you can separate volume envelopes on each note you play. The built-in EHX-fuzz is a fully controllable distortion with gain, tone and volume. Adding the effects loop to place the volume envelope onto whatever signal is present at the Return jack. Expression pedal/CV input and three user presets give you total control over the Attack Decay!

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Dual-channel guitar preamp that faithfully recreates the sound of a 1965 Blackface Reverb Deluxe combo amp in a pedal with independent channel controls, built-in spring reverb, official Celestion cab sim IR and dedicated outputs for di and headphones.

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• Produces extreme, low-end distortion for modern metal and hard rock
• Gain Boost circuit creates huge distortion and sustain regardless of level
• New Bottom control for bottom-heavy distortion matched to 6- or 7-string guitars
• Tone control adjusts balance between high and low frequencies
• BOSS five-year warranty

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• One of the great Morley classics. Fuzz and Wah packed into one pedal.
• Fuzz circuit comes before the Wah circuit just like the original.
• Vintage Fuzz mode emulates that old-school ripped speaker sound that the original MPSA12 Transistors achieved. Modern Fuzz mode is tighter and more Guitar Distortion like.
• Switchless Wah activation, simply step on to activate and step off to bypass.

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The Crayon is a versatile overdrive with independent Bass and Treble controls and an open frequency range that provides players with a musical alternative to customary mid-focused overdrive pedals. It delivers a range of sounds going from a suggestion of dirt to full-on distortion and is equally impressive all by itself or when driving another overdrive pedal. Learn More

Lil Heat is an overdrive pedal Collaboratively designed by Greg Koch and Tone City.
According to Greg Koch’s ideas, Lil Heat is re-designed based on one of Tone City best seller “Sweet Cream”, we added an boost circuit on the original design, so you can get more gain by its “HEAT”.

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Ibanez is proud to announce the new MINI pedal Family, including the tremolo MINI. Made in Japan, the TRMINI features three-knob controls; Wave, Speed and Depth. Also it features level trim pot which enable us to boost the effected sound. A true bypass switch provides the shortest, most direct signal path as well as the cleanest tone. The 100% analog circuitry offers amazingly natural tremolo tones. The TRMINI is a classic warm and full-sounding tremolo pedal that won’t be a space hog on your pedalboard!　 Learn More

• Fuzz tone with a separate Sub Octave voice & an Octave Up Fuzz
• Internal Gain & Tone pots shape the Octave Up Fuzz effect
• All analog circuitry, true bypass
• Heavy duty housing with durable jacks and switches

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The Big Muff Pi® Hardware Plugin® is a new type of product that transcends the limitations of traditional DAW plugins to bring the unique qualities of analogue sound to digital recording.
Analogue hardware has a magical warmth that is beloved for its sound and feel. Take the world’s most beloved harmonic distortion / sustainer and transform it into a plugin.

It works like a standard DAW plugin, but recorded tracks go through the actual analogue circuitry of the EHX Big Muff Pi which injects analogue warmth into your recording session. It integrates seamlessly with all the most popular DAWs; Pro Tools®, Ableton Live®, Cubase®, GarageBand®, Logic Pro X®, Reaper® and more. The new Big Muff Pi Hardware Plugin can even function as a 2-in/2-out USB audio recording interface, which enables the user to record with or without the Big Muff effect engaged.

The Big Muff Pi Hardware Plugin also operates as a stand-alone pedal, sharing the circuit design of the legendary 1973 Violet Ram’s Head Big Muff. That coveted pedal has set the standard for musical distortion which has been heard on countless classic recordings. It’s renowned for its unmistakable articulation and exceptional sustain, and now it’s been updated to true stereo. It also features Tone Wicker, Tone Bypass & presets. With the ability to store up to ten footswitch-accessible presets on the pedal itself and as many as your computer can hold, it is truly a Big Muff Pi like no other!

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• Bold, punchy sound that invigorates the original tone and responsiveness of your bass and amp
• Contains BOSS' latest distortion, which adapts to every register and never muffles your low end
• Blend knob allows for mixing the direct signal with the effect signal
• Independent Low and High knobs for ultra-wide tonal adjustment
• Two output jacks: a normal output for a bass amp and a Line Out for a balanced connection directly to a PA or recorder
• The Line Out jack provides a modern and enhanced direct sound that brings out new characteristics in your tone
• The newest member of the special-edition X-series BOSS compact pedals, which offer premium looks, sound, and feel
• BOSS five-year warranty

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HALL OF FAME 2 REVERB - Iconic Reverb Pedal with Groundbreaking MASH Footswitch and Shimmer Effect

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• Compact overdrive pedal with warm, smooth overdriven sounds
• Unique asymmetric overdrive circuitry for a classic, natural tube amp growl
• Tone control provides precise adjustment of drive sound
• BOSS five-year warranty

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