Instrument Effects

• Special edition BOSS distortion pedal with next-generation sound, feel, and tonal response
• All-new design provides a superior playing experience that's unattainable with analog distortion pedals
• Powerful real-time processing adapts to your playing to provide ideal distortion tones in every register
• Enjoy perfect sounds over the entire fretboard, from tight, crisp tones on the low strings to fat, singing tones on the highest notes
• High-clarity distortion sound that's never muddy or boomy, even when playing two or more notes at the same time
• Ultra-responsive to volume changes and picking dynamics
• Very low noise, even with high-gain settings
• Drive, High, and Low knobs offer a wide range of sound shaping not found in typical stompbox pedals
• Striking appearance with exclusive chrome knobs and control plate, plus vintage silver knob for battery compartment access
• Features BOSS' innovative Multi-Dimensional Processing (MDP), realized with proprietary technology and custom DSP
• BOSS five-year warranty

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• Our famous Bad Horsie Wah design. Switchless, Optical and built like a tank
• Two Wah modes: Bad Horsie and Contour Wah
• In Contour mode, two knobs adjust the Contour (Tone) and Wah Level
• New 20/20 Buffer circuit that prevents signal loss and maintains tone

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With 9 presets that were finely tuned to emulate the most legendary organs from the "˜60s and beyond, the B9 Organ Machine will transform your guitar or keyboard. Control the instrument's signature percussive click and sweet modulation. Blend your dry signal to create lush layers. Enough tonewheel and combo organ inspiration to light your fire and cook up some green onions! Learn More

The Bandit Supreme pedal packs the legendary raw sound of the 2nd-gen Peavey Bandit 112/Supreme 160 "Teal Stripe" lead channel into a rugged amp-in-a-box for your pedalboard

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A truly super tremolo with powerful controls and signal routing. Sculpt the tremolo's shape with adjustable sine, triangle and pulse waveforms while tap tempo and tap divide ensure synchronicity. Create your own rhythmic patterns and store them. Save and recall up to eight customized preset programs. Conjure moving tremolos on-the-fly with EXP control over Rate, Depth, Shape, Phase or Volume. Deluxe I/O lets you choose stereo in/out, mono in/stereo out, stereo in/mono out or mono in/mono out operation. Analog circuitry yields warm, lush tone that will envelop you in shape shifting waves. Learn More

• Classic envelope filter sounds.
• Separate Dry and Effect signal controls.
• Organic analog tone.

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The circa-1980 Electro-Harmonix Attack Decay is a sought after prize among vintage pedal aficionados. It was originally known as the Tape Reverse Simulator, producing volume and reverse swells, backward tape sounds, short staccato notes and bowed instrument effects. The new Attack Decay reinterprets the classic, stepping up the cool-factor with contemporary features & enhanced functionality. You can produce a ‘Mono’ volume envelope like the original, but now when engaged in ‘Poly’ mode, you can separate volume envelopes on each note you play. The built-in EHX-fuzz is a fully controllable distortion with gain, tone and volume. Adding the effects loop to place the volume envelope onto whatever signal is present at the Return jack. Expression pedal/CV input and three user presets give you total control over the Attack Decay!

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Dual-channel guitar preamp that faithfully recreates the sound of a 1965 Blackface Reverb Deluxe combo amp in a pedal with independent channel controls, built-in spring reverb, official Celestion cab sim IR and dedicated outputs for di and headphones.

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• Produces extreme, low-end distortion for modern metal and hard rock
• Gain Boost circuit creates huge distortion and sustain regardless of level
• New Bottom control for bottom-heavy distortion matched to 6- or 7-string guitars
• Tone control adjusts balance between high and low frequencies
• BOSS five-year warranty

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• One of the great Morley classics. Fuzz and Wah packed into one pedal.
• Fuzz circuit comes before the Wah circuit just like the original.
• Vintage Fuzz mode emulates that old-school ripped speaker sound that the original MPSA12 Transistors achieved. Modern Fuzz mode is tighter and more Guitar Distortion like.
• Switchless Wah activation, simply step on to activate and step off to bypass.

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The Crayon is a versatile overdrive with independent Bass and Treble controls and an open frequency range that provides players with a musical alternative to customary mid-focused overdrive pedals. It delivers a range of sounds going from a suggestion of dirt to full-on distortion and is equally impressive all by itself or when driving another overdrive pedal. Learn More

Lil Heat is an overdrive pedal Collaboratively designed by Greg Koch and Tone City.
According to Greg Koch’s ideas, Lil Heat is re-designed based on one of Tone City best seller “Sweet Cream”, we added an boost circuit on the original design, so you can get more gain by its “HEAT”.

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• Tuning Range: A0(27.50Hz) - C8(4186Hz)
• Calibration: 435 - 445 Hz
• Drop tune: Flat 4 semitones
• Power Supply: External DC 9 Volt AC Adapter

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• Fuzz tone with a separate Sub Octave voice & an Octave Up Fuzz
• Internal Gain & Tone pots shape the Octave Up Fuzz effect
• All analog circuitry, true bypass
• Heavy duty housing with durable jacks and switches

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