MATCHED PAIR OF SCX25A LARGE DIAPHRAGM CONDENSERS

When you need accurate stereo microphones that are synced with each other, the SCX25AMP Matched Pair is the perfect set. Featuring two matched SCX25A microphones, you can rely on these microphones for any stereo field recording you can think of.

The SCX25A is a professional studio condenser microphone with an elegant design and a patented capsule suspension system. Uniquely shock-mounted within an intricate machined brass ring, the capsule is completely isolated from the mic body and electronics. By successfully minimizing acoustic reflections and diffractions, the SCX25A delivers a pure, open-air sound with exceptional detail and realism.

The SCX25A is consistent when responding to on and off-axis signals. This mic exhibits outstanding phase coherence and minimal proximity effect. With a wide Cardioid polar pattern, the SCX25A enables the sound engineer to blend the sound of the instrument or vocal with the sound of the room. The SCX25A large diaphragm microphone will handle SPLs in excess of 135 dB and provides up to 20 dB of ambient noise rejection.

Affectionately referred to as “The Lollipop,” The SCX25A Cardioid studio condenser microphone is perfectly suited to capture the sound of acoustic instruments such as pianos, guitars, vibes, woodwinds, brass, percussion toys, drums, orchestra, and symphony sections.

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The A231 is a large diaphragm condenser microphone built for the most discerning studio user.

With its externally-biased “true condenser” capsule and low-noise circuitry, the A231 is able to capture the nuances of the human voice as well as the rich overtones of acoustic instruments with natural warmth and in stunning detail. An exceptionally consistent Cardioid polar pattern focuses on the performance while offering smooth off-axis rejection.

Features

• 33 mm externally-biased condenser capsule
• 25% greater effective diaphragm area
• Cardioid polar pattern
• Proprietary internal shock mount
• Low noise preamp circuitry
• Machined aluminum body with gold-plated brass band

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M1255B-S Shotgun

The M1255B is a Miniaturized condenser microphone with a fully integrated preamp, detachable cable, and is designed with very high sensitivity for distance miking. Applications include ceiling mount or table mount for conferencing, hanging choir miking, location recording, audience, or room miking. The M1255B has complete immunity from RF interference caused by cell phones and GSM devices. The M1255B is equipped with a Cardioid capsule and is also available with Hypercardioid, Omni, or Shotgun capsules. The microphone has the unique ability to be used in a wide variety of stage, studio, and broadcast applications. The M1255B is available with a wide array of clips and accessories for musical instruments, overhead stage miking, podiums, conferences, and presentations.

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LARGE DIAPHRAGM STUDIO CONDENSER MICROPHONE

The A131 is a large-diaphragm condenser microphone ideal for vocals, choir, piano, acoustic instruments, and overheads. Featuring a contemporary, compact design, the A131 is the perfect choice for podcasting, professional audio production, studios, and live stage performances.

Features

• Large 33 mm condenser capsule
• Cardioid Polar Pattern
• Proprietary internal shock mount
• Low noise preamp circuitry
• Designed, machined, assembled, and tested in the USA

What's in the box?

• 1x A131 Microphone
• 1x Protective zippered carrying case
• 1x DCLIP Heavy-duty nylon molded snap-on clip

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• Tom-tailored frequency response captures speed, power, and tone, minimising the need for EQ
• Bleed-blocking head design and dual bias circuitry provide up to 28dB off-axis rejection for clear tom sounds with minimal cymbal bleed
• Hand-tuned, vibration-resistant Supercardioid capsule ensures powerful balance of transient, body, and tone
• Solid brass headframe and mildew-resistant dust filter protect against stick hits, dust, and debris

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• Type: Transformer Balanced FET Condenser
• Capsule: 32MM Pressure Gradient
• Polar Patterns: Cardioid
• Frequency Response: 20HZ - 20KHZ

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The SCX1 is a professional studio Cardioid condenser microphone designed for a wide variety of recording, broadcast, and live sound applications.

Known for its high sensitivity, pin-point accuracy, low profile, and consistency, the SCX1 is also available with Hypercardioid (model SCX1HC) or Omnidirectional (model SCX1O) capsules.

With a smooth uniform frequency response from 40 Hz – 20 kHz, the SCX1 is very consistent when responding to on and off-axis signals, and exhibits excellent phase coherence and minimal proximity effect. The SCX1 is characterized by a wide Cardioid polar pattern; this, coupled with the High Output and sensitivity of the microphone, makes the SCX1 an ideal choice for miking overhead, drums, instruments, room ambiance, orchestral sections, stringed instruments, piano, vibes, and sound effects. The SCX1HC condenser microphone is a number one choice for miking hi-hat both live and in the studio.

Other features include a 21 mm gold vapor capsule, Miniaturized electronics, and an extremely small footprint. The SCX1 will handle sound pressure levels of 130 dB and will provide up to 20 dB of ambient noise rejection. In addition to acoustic instruments, the SCX1 is an excellent choice for group vocals, speech, or Foley work. The SCX1HC has become a popular choice for interior dialogue boom pole miking. It has a precision machined brass body, interchangeable capsules, Black multi-layer class ‘A’ liquid finish, and a gold-plated XLR connector. The SCX1 studio condenser microphone is manufactured to exacting standards and tight tolerances.

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The SCX1 is a professional studio Cardioid condenser microphone designed for a wide variety of recording, broadcast, and live sound applications.

Known for its high sensitivity, pin-point accuracy, low profile, and consistency, the SCX1 is also available with Hypercardioid (model SCX1HC) or Omnidirectional (model SCX1O) capsules.

With a smooth uniform frequency response from 40 Hz – 20 kHz, the SCX1 is very consistent when responding to on and off-axis signals, and exhibits excellent phase coherence and minimal proximity effect. The SCX1 is characterized by a wide Cardioid polar pattern; this, coupled with the High Output and sensitivity of the microphone, makes the SCX1 an ideal choice for miking overhead, drums, instruments, room ambiance, orchestral sections, stringed instruments, piano, vibes, and sound effects. The SCX1HC condenser microphone is a number one choice for miking hi-hat both live and in the studio.

Other features include a 21 mm gold vapor capsule, Miniaturized electronics, and an extremely small footprint. The SCX1 will handle sound pressure levels of 130 dB and will provide up to 20 dB of ambient noise rejection. In addition to acoustic instruments, the SCX1 is an excellent choice for group vocals, speech, or Foley work. The SCX1HC has become a popular choice for interior dialogue boom pole miking. It has a precision machined brass body, interchangeable capsules, Black multi-layer class ‘A’ liquid finish, and a gold-plated XLR connector. The SCX1 studio condenser microphone is manufactured to exacting standards and tight tolerances.

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M1250B-S Shotgun

The M1250B is a Miniaturized Cardioid condenser microphone with a fully integrated preamp, detachable cable, and has RF immunity to prevent interference from cell phone and GSM devices. The M1250B is also available with Hypercardioid, Omni, or Shotgun capsules, giving the microphone the unique ability to be used in a wide variety of stage, studio, and broadcast applications.

The M1250B condenser microphone is available with a wide array of clips and accessories allowing the microphone to be used for acoustic instruments, choral miking, overhead stage miking, podiums, conferences, and presentations.

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The VX5 is a multi-purpose, professional vocal condenser microphone designed for stage, studio, and broadcast applications.

With an ability to duplicate studio-quality sound on stage, the VX5 has a smooth and accurate frequency response, resistance to feedback, and handles very high SPLs without distortion.

Designed with a tight and uniformly controlled superCardioid polar pattern, the VX5 condenser vocal microphone helps isolate vocals from the rest of the stage. Other features include a 14 mm gold vapor diaphragm, an acoustically ported steel mesh grille with a multi-stage pop filter, and a -10 dB pad and bass roll-off filter. The VX5 will handle SPLs in excess of 140 dB (with pad and roll-off engaged) and will provide over 20 dB of ambient noise rejection on live stages.

In addition to vocal applications, the VX5 superCardioid microphone is designed to capture instruments such as guitars, woodwinds, brasses, percussion toys, drum overheads, hi-hats, and pianos.The VX5 requires 18 – 52 V phantom power.

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• Natural, studio quality sound on any source
• Excellent off axis rejection
• 135dB of dynamic range
• Internally shock mounted condenser element

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The Peavey CM1 is a handheld condenser microphone with a cardioid polar response ideal as a main or support microphone in studio and live applications. The Peavey CM1 is suited for recording engineers looking for affordable, high quality recording mics. The CM1 contains a medium-format condenser element designed to handle SPL levels up to 136 dB while maintaining a clean, natural sound. It has a sensitivity of -43 dBv per pascal and a low noise floor, equivalent to only 24 dB SPL. The built-in shock mount reduces handling noise considerably, making the CM1 ideal for close-range vocal or instrument pickup. The frequency response is tailored to give a crisp, clean, intelligible sound from 50 Hz to 16 kHz. The CM1 is equipped with a dual-layer pop filter to reduce pops and wind noise. Learn More

• Classic FET sound with modern air
• Selectable polar patterns for focused to open sound
• Three-way gain selection for added versatility
• Custom wound output transformer for mix-ready sound

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